Louis Hayes and the Cannon Adderley Legacy Band
for booking contact:
Jeff Turner
jeff@turnerentertainmentgroup.com
604-662-4144 x221
AUDIO SAMPLES from the 2014 CD - Live at Cellar Jazz Club
AUDIO SAMPLES from the CD - Maximum Firepower
Review in The Guardian

Live at Cellar Jazz


Live at the Chivas Jazz Festival
Louis Hayes & The Cannonball Adderley Legacy Band
Featuring LOUIS HAYES drums, VINCENT HERRING alto sax, JEREMY PELT trumpet, RICK GERMANSON piano and DEZRON DOUGLAS bass.

For more than forty years, drummer Louis Hayes has been a catalyst for energetic, unrelenting swing in his self led bands, as well as in those whose respective leaders reads like an encyclopedia of straight ahead post-bop modern jazz. Hayes himself an authentic architect of post-bop swing, began his professional activities at the tender age of 18. He started with tenor saxophonist, flautist and oboist Yusef Lateef who like Hayes is a Detroit native (other jazz luminaries hailing from the "motor city" include the Jones brothers, Elvin, Hank and Thad, guitarist Kenny Burrell, pianist Tommy Flanagan and many others). After the stint with Lateef, Hayes went on to rhythmically propel groups led by pianist Horace Silver, legendary saxophonist Cannonball Adderley and pianist Oscar Peterson. These positions were augmented by countless recordings on the Blue Note, Prestige, Riverside and other labels with the likes of John Coltrane, Sonny Rollins, J.J. Johnson, Jackie McLean, Wes Montgomery, Cedar Walton, Dexter Gordon, Woody Shaw, George Benson, Freddie Hubbard, Joe Henderson, McCoy Tyner and the list goes on.

For the last twenty-plus years, Louis has led or co-led some of the most uncompromisingly swinging groups in all of jazz. Each unit has displayed tight-knit harmonic cohesion and hard-driving consistency as part of its signature.

With so much activity in his past, Louis could easily rest comfortably on his laurels. But being a forward thinker and doer, Hayes operates "in the present!" His recent groups boasts some of the cream of jazz' recent crop. Drummer Louis Hayes posses an embarrassment of riches. His story, still being told, contains a glorious past, a vibrant present and an ever promising future.

Grammy Award winning saxophonist Vincent Herring has developed into a virtuoso with a voice that is uniquely intense and vigourous with energy and direction. He is considered one of the premier saxophonists of his generation. Vincent first toured Europe and the United States with Lionel Hampton's big band. As he developed his musicianship he began to work with Nat Adderley a liason that continued for nine years. In addition to the legends and peers he has worked with Vincent is inspired by a collage of diverse musical influences, which is reflected in his original band called Earth Jazz Agents. Vincent is also involved in Jazz education. He is currently on staff at William Patterson University in New Jersey.

Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, and many others.

Rick Germanson has been a highly in-demand pianist on the New York City Jazz scene for over a decade. A native of Milwaukee, Wisconsin, Rick moved to New York City on the heels of winning the grand prize at The American Pianists' Association Jazz Piano Competition in 1996. His accomplishments have gernered much adoration from the media and led to him being chosen as Best of New Talent in 2004 by All About Jazz NYC.

Known for his musical versatility, bassist Dezron Douglas is one of the most in demand young bassists in jazz today. Composer, educator, and bandleader, Dezron has established himself as a musician's musician, respected not only for his talent, but also for his dedication to the authenticity of the music.

Mike Joyce of the Washington Post described a Cannonball Adderley Legacy Band performance in June of 2002, saying, "Hayes, in typically discreet form, soloed only once during the evening, but his presence was always felt as he adroitly modulated the rhythmic tension and swing pulse during what turned out to be a thoroughly entertaining tribute."
   
   


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